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The Process— the end is a result of many altering processes. Prior to painting, silk must be washed removing silk gum, then stretched like canvas for an oil painting. Applying Dyes and a resist I begin to layer. The fabric’s ability to absorb, the order in which dyes are layered, all contribute to the hues and tones of the final painting. The painting is taken off the stretcher and is carefully rolled in an absorbent paper. After sealing the roll of paper and silk, it is placed in a special steamer and is steamed for 3-5 hours, fixing the dyes. This generates a chemical reaction from heat and moisture bonding dyes to silk. After steaming, the silk must be washed, ironed, and dry cleaned. Silk is resilient and durable enough to withstand all the processes retaining its natural beauty. Artist's Statement Rapidly spreading on silk, transparent dyes cause the artist to swiftly create the painting with spontaneous action. My painting process is similar to a jazz musician; I begin with a general vision in mind, sketches alongside, and I go with the flow, capturing the mood of the day, trusting my experience to improvise.
About silks and dyes More information is available in the document, Silk and Dye Fact Sheet, which can be downloaded by clicking on the title. |
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CHRISTINE
SUTHERLAND |
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